Wimbledon’s all-white costume code did not cease Naomi Osaka from placing on a standout look at the moment. Particularly, a kimono, which she constructed alongside Tokyo-based designer Hana Yagi. Not solely did he flip heads along with his originality, however he additionally showcased his Japanese roots.
In an on-court interview, Osaka shared: “To me, my Japanese heritage means lots. They stated all white at Wimbledon and I believed it might be actually cool to exit in a kimono,” she stated. “I am simply impressed by a variety of various things, and for me, certainly one of my favourite films is Kill Invoice” she added. “I actually love Lucy Liu’s character, O-Ren Ishii, and he or she seems on this actually iconic white kimono. I at all times inform folks that I generally wish to seem like a online game character. I do not wish to be myself once I play on the sector. And I form of attempt to embody that just a little bit.
The look itself featured dramatic floor-length sleeves, a cinched waist with bow detailing, and a flippantly ruffled skirt layered beneath, paired with crisp white Nike sneakers for a contemporary athletic contact. She accomplished the outfit with delicate teardrop earrings, retaining the equipment minimal and refined.
However this is not her first notable style second on the sector. On the US Open, for instance, she wore bejeweled headpieces, paired with coordinating tech equipment and gem-encrusted Nike seems to be. Her appearances at Roland Garros included beaded floor-length clothes and complex corsets by designer Kevin Germanier. With that, many puzzled how Osaka would translate her evolving on-court model into Wimbledon’s strict all-white costume code. This newest look gives a transparent reply: it is intentional, narrative-driven, and imbued with a slight sense of insurrection and refinement.