Introduced collectively of their entirety by first- and second-time administrators, the 12 tasks on this yr’s Ventana Sur Proyecta co-production discussion board provide a next-generation snapshot backed by a few of Latin America’s greatest producers that paints a vivid portrait of up to date realities.
In the primary forged, Brazilian Maeve Jinkings, well-known for her central function in Walter Salles’ Oscar-winning “I am Nonetheless Right here,” is about to star in “Cabildo 71.” Natalia Oreiro (“Yosi, the late spy”) in “The Different Mountain”.
Mission confirmed Tuesday by San Sebastián Oil. Pageant, which companions on Proyecta with the Cannes Movie Pageant Movie Market and Ventana Sur, “Give Me Shelter” marks one in every of Rei Footage’ newest tasks. Based mostly in Argentina, Mexico and Spain, he’s behind the Venice-selected movie “Our Land” by Lucrecia Martel, the Argentine Oscar entry “Kill the Jockey” and the Cannes Un Sure Regard winner “The Settlers” amongst current movies.
“Give Me Shelter” will mark Nicolás Pérez Veiga’s first function movie after an award-winning promoting profession, together with seven Cannes Lions, an Worldwide Emmy nomination for “Out There” and directing “Ringo, Glory and Loss of life.”
Put in as a part of the Subsequent Step workshop at Cannes Critics’ Week, “The Absence” is produced by the famend Piano of Julio Chavezmontes, a Mexico Metropolis-based producer and co-producer of movies by Apichatpong Weerasethakul, Ruben Östlund, Lucrecia Martel and Leos Carax.
“Rabbits” is the primary new title by a Colombian director produced by the Colombian firm Ocúltimo, co-founded by Simón Mesa Soto, director of the well-known “A Poet”, winner of the Un Sure Regard jury prize at Cannes. Ocúltimo goals “to turn into a platform for brand new generations of Colombian filmmakers with daring, director-driven movies,” Mesa Soto mentioned. Selection.
“Los Mejores Días” takes place at Juan Pablo Miller’s Tarea Fina, a bastion of Argentine arthouse cinema, behind movies akin to Cannes Caméra d’Or winner Las Acacias, “Incident Gentle” and “Sleepwalkers.”
Launched by Luxbox in France and Amore Cine in Spain, co-production discussion board Ventana Sur Proyecta’s title “Portrait Huaco” is the second function movie from Melina León, whose “Tune With out a Identify” (“Canción sin Numéro”) had its world premiere on the 2019 Cannes Administrators’ Fortnight.
A more in-depth take a look at the 12 movie tasks on this yr’s Proyecta lineup:
“Absence, » (“The Absence”, Jorge Sistos Moreno, Mexico)
The primary function movie by Sistos Moreno, whose “Darkness” was chosen for Cannes Critics’ Week in 2022. In 18th-century Morelia, a mixed-race lady, mistress of a property, invokes an ancestral divinity looking for a remedy for her husband’s syphilis which was transmitted to her. “This movie speaks to a wound that is still open even right now: racism and the lack to simply accept oneself and one’s heritage due to the forces and paradigms imposed on us,” he says. Sistos Moreno.
“Chapter 71, » (Victoria “Pitoka” Pena, Uruguay, Brazil, Argentina, Spain)
The second movie by Victoria “Pitoka” Pena, whose first function, “Delia,” gained the Silver Biznaga for Greatest Director on the Malaga Movie Pageant, “Cabildo 71” relies on true occasions in regards to the ladies imprisoned on the Cabildo, a prison-convent run by the Good Shepherd nuns. An intimate model of the biggest ladies’s jail break in historical past. Edited by Una Presencia (Argentina) and Vitrine Filmes (Brazil/Spain), principal produced by Monarca Movies of Uruguay and co-producer Boulevard Filmes, Brazil.
“Soiled face” (“Soiled face”, Ignacio Acconcia, Spain)
Acconcia attracts on a decade of working with folks with mental disabilities for his first feature-length fiction movie. Directed by Ayhe Productions alongside Kabiria Movies and Barcelona-based Contraria Media, behind Berlinale VFF Expertise Spotlight Award winner “March 14th,” the drama follows a black teenager with vitiligo who finds acceptance whereas performing neighborhood service at a nursing residence for folks with disabilities. Ayhe’s David Aymerich says the movie goals to convey underrepresented communities to the display.
“Soiled Face” courtesy of Ayhe Productions
“Give me shelter”, (“A secure place”, Nicolás Pérez Veiga, Argentina, Mexico)
“A real fact-based thriller, set simply days earlier than the 1976 army coup in Argentina, “a narrative of resilience and braveness that just about
nobody is aware of,” says Pérez Veiga. When his father is kidnapped by a paramilitary group a couple of days earlier than the coup, physician Gustavo Vaca Narvaja returns to his household and decides to threat every thing on a determined escape. “There is just one drawback: there are twenty-six of them, and none could be left behind.”
“Isabelle Hernández (Giorgio Giampà, Italy-Mexico)
The Italian firm Zoe Movies, behind the Venetian competitors challenge “A Little bit of Gentle”, is directing Giampà’s first function movie alongside LaDoc and Mexicans Fiasco and Madrefoca. Set in Guatemala, the drama follows a younger agronomist investigating her long-absent father amid the migration disaster. With Italian arthouse distributor Teodora Movie on board, the challenge participated in TorinoFilmLab’s FeatureLab 2026. “I used to be instantly drawn to the depth and complexity of its characters and its cautious exploration of how trauma interprets throughout generations,” says Elena Fortes of Fiasco.
“The very best days”, (Maria Zanetti, Argentina)
The second function movie by María Zanetti, greatest first function movie AMPAS Argentinian 2025 for her first function movie “Alemania”. Unfold throughout three timelines and straddling Argentina and Spain, a doubtlessly highly effective portrait of younger love and enduring ardour, regardless of a darker aspect, an “exploration of affection with out adornment or emphasis,” Zanetti says.
“The Different Mountain » (“The opposite mountain”, Horacio Reyes Páez, Uruguay-Argentina)
Natalia Oreiro (“Wakolda”) is about to star in a brand new model of the 1972 Andean aircraft crash, informed from the attitude of a mom ready for information of her lacking son. Reyes Páez, her actual grandson, calls it “the intimate and invisible battle of a mom, removed from the snow and rubble.” Uruguayan corporations U Movies and Sueño Cine are producing alongside Argentinian firm FAM Contenidos.
“The place and the hope”, (“The place and the hope”, Ariagna Fajardo Nuviola, Cuba-France)
Nuviola displays on the influence of a neighborhood cinema initiative launched 30 years in the past in his native Sierra Maestra. Produced by Julio Raúl Vega Garcés’ Torrente Movies, the feature-length documentary attracts on household archives to discover the facility of cinema to protect collective reminiscence. Supported by the Cuban Cinema Promotion Fund, it gained a Eurodoc particular point out on the RIDM Discussion board in Montreal.
“Portrait Huaco,” (“Huaco Portrait”, Melina León, Peru, France, Spain)
An anticipated adaptation of the autobiographical novel by Peruvian creator Gabriela Wiener “Portrait Huaco”. Gabriela returns to Lima after the loss of life of her father. Returning residence, she discovers a e book by her great-great-grandfather, the Austrian explorer Charles Wiener. Her search into the household previous turns into a reckoning with the lingering legacies of colonialism, internalized racism, and abandonment. Produced by Peruvian firm Mano de Obra Cine, led by Melissa Cordero, and La Vida Misma Movies, each behind “Tune With out a Identify.”
“Rabbits, » (“Rabbits”, Sara Nanclares, Colombia, Chile, Germany, France)
A strong, high-calibre Latin America-Europe co-production that revisits a social experiment in contraception carried out in Colombia for greater than 30 years. “With a pointy storyline and a witty, outspoken protagonist who refuses to let herself be outlined by her circumstances, the movie challenges standard views of teenage being pregnant, shedding gentle on the needs and contradictions behind it,” says Nanclares.
“Salamanca, » (Juan Sebastian Torales, Argentina, France)
Torales’ second function movie together with “Almamula”, a coming-of-age drama rooted within the legends and folklore of the Argentine countryside, performed in Technology 14Plus 2023 in Berlin. Put in at Twin Latin Movies (“Venezia”) by Lorena Quevedo Argentina, who co-produced Torales’ first movie.